Skip to main content

New Home (in June)


My wife and I are moving into an awesome 19th century farmhouse out in the country in June. The great thing about it is that it not only has tons of room for the three of us (she, the cat, and me), and that it has cheap rent, but that it has a huge room for an art studio over the garage. It also has several out buildings, one of which I hope to use to make some mosaics.

Those who are not artists have no idea what it is like trying to find a good studio space. It's really hard. You have to find something that is big enough, has enough lights (a basement will NOT do), is close enough so you can get there and paint when you want to, and is cheap enough. I have painted in a million different studios and locales, from factories, to garages, to rooms, to basements, but I honestly think that nothing is going to beat this!

Comments

Popular posts from this blog

A Tale of Two Cathedrals

My wife and I just returned from vacation. While away, we got to visit the Basilica of the Assumption of the Blessed Virgin Mary in Baltimore, which had recently undergone a huge renovation. The last time I was there was to see the famous "Timla Relic" a few years ago. Unlike some horrific church renovations that have gone on in recent years that were supposedly meant to "update" the church, this restoration was meant to "return" the interior of the building to its original Federal-period design. And I must say that it a very tasteful renovation. They did a really good job. It looks almost like an old early Episcopal church - white washed interior, minimal designs, etc. The interior is now very bright because they removed the stained glass (dark blue Willet windows), and uncovered the original skylights in the dome. They kept all of the good stuff (the high altar, altar rails, etc.), and brought some cool old stuff back (e.g. the nation's first RC epi...

New Directions

I have really been enjoying getting back into landscape painting. It is a quite a challenge for someone who has for so long painted in a rigid, geometric style. I've been doing a bunch a small studies in oil on canvas board to get back into practice. I've also been experimenting with landscape in egg tempera and doing some work that I think is good. Once again edge tempera proves itself to be a versatile and beautiful medium... no wonder Wyeth used it so much! The goal is to do a number of small egg tempera landscapes, and some in watercolor as I did about 12 years ago, and then to do some larger landscape paintings in oil on canvas. For some reason when I paint in oil I need to work larger. I am still working on my older stuff. Just recently I completed a very small icon commission of the Virgin and Child (picture below - sorry for the glare in the photo), and I am currently working on a largish icon of the Descent of Christ from the Cross. The Sunday school kids are fas...