Skip to main content

Depicting Religious Scenes in Contemporary Art

One of the major problems I have encountered in the few religious works that I have done is trying to make them both contemporary and traditional at the same time. It is wrong to think that the only thing one must do to create good contemporary religious art is render the figure in a realistic, neo-baroque style. That is part of it (to some degree), but there are other factors involved too. What is constantly overlooked I have found is what the people in the painting are wearing and their surroundings. If you paint them in contemporary clothes and in a contemporary setting - well, it looks sort of strange in most cases (in my opinion). If you paint them in Roman dress, it doesn't seem very contemporary! What is the solution?

Comments

Baus said…
Gordon, thought you might appreciate taking a look at this book list here:

http://www.heartsandmindsbooks.com/reviews/selling_books_at_iam_and_an_ex/

Enjoy.
Baus said…
That URL didn't create a link, so HERE's one.
Thanks! I started reading "Art in Action" a couple years ago but put it down because it was too hard. Will have to give it another go sometime.

Popular posts from this blog

A Tale of Two Cathedrals

My wife and I just returned from vacation. While away, we got to visit the Basilica of the Assumption of the Blessed Virgin Mary in Baltimore, which had recently undergone a huge renovation. The last time I was there was to see the famous "Timla Relic" a few years ago. Unlike some horrific church renovations that have gone on in recent years that were supposedly meant to "update" the church, this restoration was meant to "return" the interior of the building to its original Federal-period design. And I must say that it a very tasteful renovation. They did a really good job. It looks almost like an old early Episcopal church - white washed interior, minimal designs, etc. The interior is now very bright because they removed the stained glass (dark blue Willet windows), and uncovered the original skylights in the dome. They kept all of the good stuff (the high altar, altar rails, etc.), and brought some cool old stuff back (e.g. the nation's first RC epi...

The Myth of Catholic Art

Here is a great article written by artist Maureen Mullarkey for Crisis Magazine. The Myth of Catholic Art: An Unmanifesto By Maureen Mullarkey Is there a uniquely Catholic approach to art? What is legitimate Catholic art? How can a Catholic make a significant difference in the artistic community? How should Catholics approach secular art? What might be included in a manifesto for Catholic artists? These questions are direct and compelling. They are also tricky to address because the assumptions behind them are complex and hidden. It would be better to shift attention from straitened definitions of Catholic art toward something more generous to the arts themselves and more useful to Catholics in the public square. But where to start with questions that lead ...