Skip to main content

New Directions

I have really been enjoying getting back into landscape painting. It is a quite a challenge for someone who has for so long painted in a rigid, geometric style. I've been doing a bunch a small studies in oil on canvas board to get back into practice.

I've also been experimenting with landscape in egg tempera and doing some work that I think is good. Once again edge tempera proves itself to be a versatile and beautiful medium... no wonder Wyeth used it so much!

The goal is to do a number of small egg tempera landscapes, and some in watercolor as I did about 12 years ago, and then to do some larger landscape paintings in oil on canvas. For some reason when I paint in oil I need to work larger.

I am still working on my older stuff. Just recently I completed a very small icon commission of the Virgin and Child (picture below - sorry for the glare in the photo), and I am currently working on a largish icon of the Descent of Christ from the Cross. The Sunday school kids are fascinated by it! (I do my iconography at my office.. well, any egg tempera work, for that matter.) I also just completed a large oil painting of the Conversion of Saint Paul.


Yesterday I began working on a graphite portrait of a horse, and soon I'll be taking on a commission to paint a large ship - that one will will probably be executed in watercolor, but I haven't decided yet.

I'm really enjoying breaking out of my artistic habits - always painting one or two things/sticking with on for two subject matters. I am also enjoying getting back into watercolor, pencil and charcoal, and painting subject matter in oil and egg tempera that I have not done before. I am also hoping to do some work in pastel as well - a medium that I have little to no experience with, but yet somehow I have ended up with tons of soft and hard pastels in my studio! Might as well use them!

Comments

Popular posts from this blog

A Tale of Two Cathedrals

My wife and I just returned from vacation. While away, we got to visit the Basilica of the Assumption of the Blessed Virgin Mary in Baltimore, which had recently undergone a huge renovation. The last time I was there was to see the famous "Timla Relic" a few years ago. Unlike some horrific church renovations that have gone on in recent years that were supposedly meant to "update" the church, this restoration was meant to "return" the interior of the building to its original Federal-period design. And I must say that it a very tasteful renovation. They did a really good job. It looks almost like an old early Episcopal church - white washed interior, minimal designs, etc. The interior is now very bright because they removed the stained glass (dark blue Willet windows), and uncovered the original skylights in the dome. They kept all of the good stuff (the high altar, altar rails, etc.), and brought some cool old stuff back (e.g. the nation's first RC epi...

The Myth of Catholic Art

Here is a great article written by artist Maureen Mullarkey for Crisis Magazine. The Myth of Catholic Art: An Unmanifesto By Maureen Mullarkey Is there a uniquely Catholic approach to art? What is legitimate Catholic art? How can a Catholic make a significant difference in the artistic community? How should Catholics approach secular art? What might be included in a manifesto for Catholic artists? These questions are direct and compelling. They are also tricky to address because the assumptions behind them are complex and hidden. It would be better to shift attention from straitened definitions of Catholic art toward something more generous to the arts themselves and more useful to Catholics in the public square. But where to start with questions that lead ...