Skip to main content

No Religious Art

A friend with whom I have collaborated on some art projects before is going to be having a show at a Washington, DC gallery, and was told that the works we collaborated on could not be shown as "religion" is not permitted in the show. When he informed me of this I responded as follows:

"I am not surprised that work with religious themes is being banned by these facists. I was asked (twice) to participate in shows down here, but there was a similar ban, so I boycotted them. So much for "open minded" people. And there is usually no rhyme nor reason for such censorship. I could see, if you were doing a show in the West Bank or something why there might be certain stipulations like these, but to encounter this in the USA (and especially in DC), where churches, and synagogues, mosques, etc. are on every corner, and an established part of everyday life, is really quite strange. Such bans actually display a great deal of cultural ignorance and stupidity, especially when they come from institutions that are seeking to be "relevant". Religion has formed our culture, continues to do so, and will always do so for millions of people from all walks of life. By attempting to take religion out of the public square in this and similar ways, these institutions show themselves to be special interest cliques that are completely out of touch with average people around the country and world."

Comments

KayKay said…
I'm really not surprised by these bans. People are trying so desperately to cling to anything other than Christ for direction, fulfillment, and comfort. Engaging in religion means that you must ultimately agree that you are not the center of the universe and that there is concrete truth, and for the most part people, even many self-proclaimed Christians, don't want tie themselves down to that. I guess it just doesn't "feel good" to them, we are living in an overwhelmingly hedonistic culture.

Also, there are those who argue that anyone who would cling to religion is simple minded. I've certainly been accused of being so when explaining my faith. Since art is supposed to elevate the mind as well as the senses, then the facilitators of these shows might feel that work of a religious nature is below their intellectual standard. I know I don't need to tell you that they, of course, would be sadly mistaken.

Ok, that's my two cents.
Robin Pedrero said…
For you or else anyone interested I am on a committee for the Arts Worship Sabbath's exhibition, "Love Works" which will be in downtown Orlando Fl at the City Arts Factory. We welcome religious themes.
Thanks for the heads up, RMP.

Mary Kay, thanks for your two cents. Good insight. It's funny that their intellectual standard is not even intellectual when it all comes down to it.

Popular posts from this blog

A Tale of Two Cathedrals

My wife and I just returned from vacation. While away, we got to visit the Basilica of the Assumption of the Blessed Virgin Mary in Baltimore, which had recently undergone a huge renovation. The last time I was there was to see the famous "Timla Relic" a few years ago. Unlike some horrific church renovations that have gone on in recent years that were supposedly meant to "update" the church, this restoration was meant to "return" the interior of the building to its original Federal-period design. And I must say that it a very tasteful renovation. They did a really good job. It looks almost like an old early Episcopal church - white washed interior, minimal designs, etc. The interior is now very bright because they removed the stained glass (dark blue Willet windows), and uncovered the original skylights in the dome. They kept all of the good stuff (the high altar, altar rails, etc.), and brought some cool old stuff back (e.g. the nation's first RC epi...

The Myth of Catholic Art

Here is a great article written by artist Maureen Mullarkey for Crisis Magazine. The Myth of Catholic Art: An Unmanifesto By Maureen Mullarkey Is there a uniquely Catholic approach to art? What is legitimate Catholic art? How can a Catholic make a significant difference in the artistic community? How should Catholics approach secular art? What might be included in a manifesto for Catholic artists? These questions are direct and compelling. They are also tricky to address because the assumptions behind them are complex and hidden. It would be better to shift attention from straitened definitions of Catholic art toward something more generous to the arts themselves and more useful to Catholics in the public square. But where to start with questions that lead ...