Skip to main content

Landscape Blues


My wife and I had dinner at a swanky yacht club recently with some parishioners, and there was a gorgeous painting by A.E. Backus in the dining room. Backus is a legend on the Treasure Coast of Florida, and is credited with teaching the original artists of the "Highwayman" school of painters - a group that I refer to as "Florida's version of the Hudson River School". The beautiful painting - which I didn't get a picture of - made me lament not painting landscapes myself. I started off doing landscape, and used to do it exclusively (in the Bob Ross style), but once I began my formal art education I switched to other subject matter. But there is something infinitely satisfying and appealing about landscape art. The natural world speaks to all people. One of the few such paintings I have done recently is pictured.

Landscape is actually much harder for me to do than other subjects - I think because it is already very abstract. It's easier for me to take a very ordered scene and abstract it. But to work from something that is already abstract and organic is very difficult. Then there is associated factor of capturing light, special details, and so on, which is best done plein air, but which I hate doing because of bugs, wind, people, etc. Yet still, as we get ready to move away from Florida (my home state - fourth generation... born in Coral Gables), I feel bad that I have not tried to paint any Florida scenes while living down here for two years.

One of the hard things about being an artist is trying to decide what to paint. Once you learn to paint, you can pretty much paint anything you wish, so the real difficulty becomes focusing in on something and sticking with it for a while. I get so worked up doing paintings of a particular subject matter (cityscapes, religious works, etc.) that it feels awkward at times trying to break out of that mold to do something new. So that becomes its own obstacle which is simply added to any technical difficulties surrounded with trying new subject matter.

Comments

Anonymous said…
I love your painting shown in the blog entry. It's definitely an 'Anderson'. One day I'm going to be at a museum saying to the person next to me, "He's a friend of mine." I will enjoy every minute of it.
Vic
Ha - I'll be lucky if any of my work ends up in a yard sale!

Popular posts from this blog

A Tale of Two Cathedrals

My wife and I just returned from vacation. While away, we got to visit the Basilica of the Assumption of the Blessed Virgin Mary in Baltimore, which had recently undergone a huge renovation. The last time I was there was to see the famous "Timla Relic" a few years ago. Unlike some horrific church renovations that have gone on in recent years that were supposedly meant to "update" the church, this restoration was meant to "return" the interior of the building to its original Federal-period design. And I must say that it a very tasteful renovation. They did a really good job. It looks almost like an old early Episcopal church - white washed interior, minimal designs, etc. The interior is now very bright because they removed the stained glass (dark blue Willet windows), and uncovered the original skylights in the dome. They kept all of the good stuff (the high altar, altar rails, etc.), and brought some cool old stuff back (e.g. the nation's first RC epi...

New Directions

I have really been enjoying getting back into landscape painting. It is a quite a challenge for someone who has for so long painted in a rigid, geometric style. I've been doing a bunch a small studies in oil on canvas board to get back into practice. I've also been experimenting with landscape in egg tempera and doing some work that I think is good. Once again edge tempera proves itself to be a versatile and beautiful medium... no wonder Wyeth used it so much! The goal is to do a number of small egg tempera landscapes, and some in watercolor as I did about 12 years ago, and then to do some larger landscape paintings in oil on canvas. For some reason when I paint in oil I need to work larger. I am still working on my older stuff. Just recently I completed a very small icon commission of the Virgin and Child (picture below - sorry for the glare in the photo), and I am currently working on a largish icon of the Descent of Christ from the Cross. The Sunday school kids are fas...