Skip to main content

Journeys in Hooker

While in seminary I read through bits and pieces of Hooker's Laws of Ecclesiastical Polity, as I was told (or discovered myself) at some point that this work addressed many of the Puritan party's complaints against the established Church of England, particularly in the areas of liturgy and ecclesiology. This in contrast to earlier Anglican apologists, such as John Jewel, who wrote mainly against Rome. Growing up Presbyterian, and having imbibed the works of J.I. Packer - an Anglican of English Calvinist persuasion - I figured that Hooker would of especial interest to me... and he was, but I never got beyond those bits and pieces that I read piecemeal.

Lamentably, while in seminary there was no time to give Hooker a more thorough read, as I was weighed down reading and studying interesting but no doubt non-Anglican works and writers (mainly documents from Vatican II, books by Avery Dulles and David Tracy, etc.). Never having read through Hooker's Laws completely, however, was troubling to me, and something that I have always wanted to do. (NB: I am astonished how many people do not finish reading books - not only sets, but even a single book. Indeed I was shocked when I was told a number of years back by someone whom I thought to be an aspiring academic that "she never finishes books.")

So now that I have some time on my hands I have been working through Hooker, beginning at the beginning, and outlining each section of each chapter or each book. I have found it necessary to summarize each part for my own study as the whole work is written in a ponderous Elizabethan style. (It is interesting by the way, the predicament that those wishing to read the Anglican reformers face. Because the works are in "English" they do not have to be translated. But in fact they do require translation as they are written in a very archaic and usually difficult to comprehend English.

It has been quite worthwhile and interesting so far, especially as the first part of his Laws is essentially a restatement of basic Thomistic thought in the areas of law: eternal law, natural law, divine law, etc. What I think reading the Laws piecemeal leaves out is that Hooker will build his entire argument in those later contentious areas of polity, liturgy, and sacraments, on this Thomistic foundation. This is noteworthy to me because many seem to think that Thomism came into Anglican thought only after the Catholic revival, but here one of the greatest Anglican thinkers of Elizabethan times structured his seminal work on the natural philosophy of St. Thomas! I think therefore it is fair to assume that in continuing to read the work as a whole it should be understood in light of its Thomistic foundations, not set in opposition to it as some would have.

Comments

Carson Clark said…
Fr. Anderson,

Hello. Just came across your blog. Really enjoyed the read.

I'm an aspiring clergy-writer who's new to the Anglican tradition, and am trying to find Anglican readers. The title of my blog is "Musings of a Hard-Lining Moderate: The assorted thoughts of an evangelical Anglican." Right now I'm doing a series on the doctrine of Scripture, which was prompted by the crisis in the global communion. Don't know if you'd be interested, but here's the link: http://bit.ly/dXh2qd

Have a great day.

Grace & Peace,

Carson
Hi Carson,

Sorry to take so long to reply and post your comment. Thank you for your link and info about your blog. I will check it all!

All blessings in Christ,
JGA+

Popular posts from this blog

Some Observations About Light in Landscape Painting

As I slowly begin returning to painting landscapes the question of light arises. For most of my artistic career I have not been that interested in light in paintings, though I enjoy it in the works of other artists. However in landscape painting light is very important, so lately I've been examining the use of light by various landscapes painters, all of whom would be called "realists." What I found in closely studying their paintings is that they are not strict and mathematical, if you will, about where the light hits. In fact in many realist paintings – those of Andrew Wyeth come to mind – the light is very natural looking at a glance, but then upon closer examination is highly invented. I find nothing wrong with artists taking this liberty. The key to light in landscape painting seems to be to make an effort to simply include it in the work, and not obsess over where everything lines up and how it strikes each object in a uniform way... almost like a Bob Ross paintin

A Notice About My Recent Show Posted In The Parish Magazine

This month my art show at the Liriodendron ends. I want to thank everyone who came out for it, and for all of the nice and interesting comments on my work. Many of the works were familiar to us as they have been gracing the walls of the parish hall and my office for some time. The history behind that is that we needed some decorations for the walls but did not have any money budgeted for that. So, in consultation with the vestry, it was agreed that I could hang my works in the parish hall on a temporary basis. This was always meant to be temporary. One of my professors in college, a sculptor, once told us that it is not good for an artist to be around his own work all the time. I would tend to agree with that. So after the show is over only one or two large pieces will return to the parish hall and maybe a couple of small icons. The work currently hanging in the parish hall is that of my late first cousin once removed, Noel Kavanaugh Edwards. Noel was an artist and naturalist based