I have become obsessed recently with studying the classical realist movement in art, and with learning about the atelier model of classical artist training. Art students have suffered for several generations because they have not had an adequate foundation on which to build. My art education was a modernized novus ordo type of art education: it had many of the elements of the older, classical model, but they were rehashed and reprocessed, and run through so quickly that one did not understand why one was doing them in the first place. The atelier model attempts to correct all of that, and classical realism is the name for these types of artists. The atelier model is essentially an internship, or apprenticeship. One typically signs up for these schools and attends them Monday-Friday, 9 - 5... like a job. They last for four years typically. Some of them teach sculpture along with painting, so you come out being able to sculpt and paint well. Obviously if you do something like that all day for four years you'll get pretty good at whatever you're doing. It is a good education, and all artists should have it, but it needs to be adapted to fit within the modern university system. I can think of many folk who would like to study these methods and improve their basic skills, but could not commit to a traditional apprenticeship type of schedule. Nowadays going to college even part time is hard enough. I hope as time goes on the methods and pedagogy of these schools will get back into the traditional university system. I think if these methods merge with some of the best insights and practices of the contemporary training model something very interesting and exciting will result.
I have really been enjoying getting back into landscape painting. It is a quite a challenge for someone who has for so long painted in a rigid, geometric style. I've been doing a bunch a small studies in oil on canvas board to get back into practice. I've also been experimenting with landscape in egg tempera and doing some work that I think is good. Once again edge tempera proves itself to be a versatile and beautiful medium... no wonder Wyeth used it so much! The goal is to do a number of small egg tempera landscapes, and some in watercolor as I did about 12 years ago, and then to do some larger landscape paintings in oil on canvas. For some reason when I paint in oil I need to work larger. I am still working on my older stuff. Just recently I completed a very small icon commission of the Virgin and Child (picture below - sorry for the glare in the photo), and I am currently working on a largish icon of the Descent of Christ from the Cross. The Sunday school kids are fas...
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My little uncertainties aside, I encourage a look at excellent young friend Sarah Coffin's new blog. She's been out of college and teaching art ('classical Christian' school) for a little while, but recently elected to stop teaching and apprentice full time with her mother Jennie, who is an accomplished potter. (Sarah's dad, Jennie's husband, incidentally, is the primary pastor of New Hope Pres. in Fairfax.)
Fascinating Blog. I'm impressed that you are able to manage a parish and still paint!
Van+
My smaller pieces from days past are here:
http://www.flickr.com/photos/mrzzyzx
Paul: There are places that give various traditional art workshops (such as http://www.endersisland.com/), and they seem like they would be good supplemental programs to a "mod" contemporary college art education. But they are very expensive, at least for me.... or way far away, or both.