Being a priest is being an artist in way. The mass is so beautiful, so mysterious.... as Paul Claudel once said, the most beautiful and august gestures ever confided to man were done so in the mass. In the mass, space and time ceases, and heaven and earth unite... just like an artist when he is painting, or a musician, when he is performing... he is outside of himself, and becomes one with the act of creation, and one with god. So being at the same time a priest and artist is not that far off.
I have really been enjoying getting back into landscape painting. It is a quite a challenge for someone who has for so long painted in a rigid, geometric style. I've been doing a bunch a small studies in oil on canvas board to get back into practice. I've also been experimenting with landscape in egg tempera and doing some work that I think is good. Once again edge tempera proves itself to be a versatile and beautiful medium... no wonder Wyeth used it so much! The goal is to do a number of small egg tempera landscapes, and some in watercolor as I did about 12 years ago, and then to do some larger landscape paintings in oil on canvas. For some reason when I paint in oil I need to work larger. I am still working on my older stuff. Just recently I completed a very small icon commission of the Virgin and Child (picture below - sorry for the glare in the photo), and I am currently working on a largish icon of the Descent of Christ from the Cross. The Sunday school kids are fas...
Comments
I loved your old website, but I really love this one! Thanks for putting up the links to artists and thanks for providing us with excellent articles on art and the Catholic Religion. This is much needed and I'd be very interested to read artists speak to the issue of being a Catholic and an artist. I suppose they would say they do that best by their art, but Flannery O'Connor wrote a very useful set of essays titled "Mystery and Manners" where she delved into the issues of being a Catholic Novelist in the South. It has been a while since I read her essays, but if I recall correctly she didn’t put much stock in the notion of a “Catholic novelist.” She basically said that a writer could only write what he could write about which is what he knew and not what he didn’t know. The other thing for her and writing was the matter of learning the skill from good writers. She took up painting to develop her ability to see so she could be a better writer. I thought her matter-of-fact approach to her art was interesting given that she is the most Christ-obsessed fiction writer I’ve ever read. I was also wondering how many of the painters you know of cross over into writing fiction or poetry?
Fr. Glenn
I will try to think of artist who cross over. There have been many modern musician/writers who have also had artistic careers, or let making art play a big role in their lives (e.g. John Lennon, David Byrnn, etc.). But I am sure there are many, many more. I know there are more in the past. But alas, I am headed off for vacation, so I do not have time to look now! But promise I will do research on it more when I get back.
I want to read Maritain on art. A few years back I helped a friend establish an RC art's organization, and it was based heavily on the philosophy or art of Maritain. When I get back I will also post some, Andrew, on the few novelists and poets that I enjoy. But it is woefully inadequate! I need to catch up in that area. I was always much more into music, and found that friends who knew a lot about writers and such, often knew little about composers, music, and music history. Funny.
Are you into music, Andrew?