Skip to main content

Linda Sokolowski

[This is the first installment of my artist link commentary.]

I was recently informed of this amazing artist out of New York named Linda Sokolowski. I find her work to be quite moving and sublime. It is very subtle and understated in its use of color, shape, and value, but yet it is incredibly moving and powerful. Her work shows how some of the greatest art can be produced with a minimal use of the elements of art, but using them in a very skillful and deliberate way. Although they are generally rather low key (i.e. more on the darker side of the value scale) I find them to be very warm and comforting. She appears to work mostly on paper, especially in monotype prints.*

(*Monotype printing is a type of printing making where only one print is made (hence the name). The image is painted onto a flat surface, such as glass or plexiglass, and then a piece of print making paper is placed on top of it, and they are run through a press.)

Comments

Popular posts from this blog

A Tale of Two Cathedrals

My wife and I just returned from vacation. While away, we got to visit the Basilica of the Assumption of the Blessed Virgin Mary in Baltimore, which had recently undergone a huge renovation. The last time I was there was to see the famous "Timla Relic" a few years ago. Unlike some horrific church renovations that have gone on in recent years that were supposedly meant to "update" the church, this restoration was meant to "return" the interior of the building to its original Federal-period design. And I must say that it a very tasteful renovation. They did a really good job. It looks almost like an old early Episcopal church - white washed interior, minimal designs, etc. The interior is now very bright because they removed the stained glass (dark blue Willet windows), and uncovered the original skylights in the dome. They kept all of the good stuff (the high altar, altar rails, etc.), and brought some cool old stuff back (e.g. the nation's first RC epi

The Myth of Catholic Art

Here is a great article written by artist Maureen Mullarkey for Crisis Magazine. The Myth of Catholic Art: An Unmanifesto By Maureen Mullarkey Is there a uniquely Catholic approach to art? What is legitimate Catholic art? How can a Catholic make a significant difference in the artistic community? How should Catholics approach secular art? What might be included in a manifesto for Catholic artists? These questions are direct and compelling. They are also tricky to address because the assumptions behind them are complex and hidden. It would be better to shift attention from straitened definitions of Catholic art toward something more generous to the arts themselves and more useful to Catholics in the public square. But where to start with questions that lead