One of the major problems I have encountered in the few religious works that I have done is trying to make them both contemporary and traditional at the same time. It is wrong to think that the only thing one must do to create good contemporary religious art is render the figure in a realistic, neo-baroque style. That is part of it (to some degree), but there are other factors involved too. What is constantly overlooked I have found is what the people in the painting are wearing and their surroundings. If you paint them in contemporary clothes and in a contemporary setting - well, it looks sort of strange in most cases (in my opinion). If you paint them in Roman dress, it doesn't seem very contemporary! What is the solution?
I have really been enjoying getting back into landscape painting. It is a quite a challenge for someone who has for so long painted in a rigid, geometric style. I've been doing a bunch a small studies in oil on canvas board to get back into practice. I've also been experimenting with landscape in egg tempera and doing some work that I think is good. Once again edge tempera proves itself to be a versatile and beautiful medium... no wonder Wyeth used it so much! The goal is to do a number of small egg tempera landscapes, and some in watercolor as I did about 12 years ago, and then to do some larger landscape paintings in oil on canvas. For some reason when I paint in oil I need to work larger. I am still working on my older stuff. Just recently I completed a very small icon commission of the Virgin and Child (picture below - sorry for the glare in the photo), and I am currently working on a largish icon of the Descent of Christ from the Cross. The Sunday school kids are fas...
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Enjoy.