Technology in Service of Art

I have decided that need to overhaul how I update my art website. Keeping that thing current and looking halfway decent (at best) is tons of work. It takes away gobs of time from painting and promoting my art. But it has to be done, as it is the best way of promoting my work. I only have so much time to devote to keeping that dinosaur updated, so I have to do it in the most time effective manner possible. The problem is that I don't know how to do it. Maybe my wife can offer some suggestions as to how to streamline the process.

Being an artist is not easy. A lot of people think it is only about creating the work, but there is so much more that you have to do. You have to conceive the work, do studies and prep, buy supplies, create it, photograph it, store it, promote it, schlep it around to shows, maintain websites, and on, and on, and on. Each of those steps have a million little steps involved in them. Promoting your work and trying to get shows, for example, is incredibly time consuming, as you have to research possibilities, prepare packages of information, pay to apply for shows, and more. I suppose when (if) you become famous you can have "your people" do those things for you, or you can pay a web designer.

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J.I. Packer's Remarks Regarding Anglo-Catholicism

Note: I have decided to delete this post since the link to the article is no longer working and since it has been revealed that J.I. Packer did not write it. JGA+

A Tale of Two Cathedrals

My wife and I just returned from vacation. While away, we got to visit the Basilica of the Assumption of the Blessed Virgin Mary in Baltimore, which had recently undergone a huge renovation. The last time I was there was to see the famous "Timla Relic" a few years ago. Unlike some horrific church renovations that have gone on in recent years that were supposedly meant to "update" the church, this restoration was meant to "return" the interior of the building to its original Federal-period design. And I must say that it a very tasteful renovation. They did a really good job. It looks almost like an old early Episcopal church - white washed interior, minimal designs, etc. The interior is now very bright because they removed the stained glass (dark blue Willet windows), and uncovered the original skylights in the dome. They kept all of the good stuff (the high altar, altar rails, etc.), and brought some cool old stuff back (e.g. the nation's first RC epi

The Myth of Catholic Art

Here is a great article written by artist Maureen Mullarkey for Crisis Magazine. The Myth of Catholic Art: An Unmanifesto By Maureen Mullarkey Is there a uniquely Catholic approach to art? What is legitimate Catholic art? How can a Catholic make a significant difference in the artistic community? How should Catholics approach secular art? What might be included in a manifesto for Catholic artists? These questions are direct and compelling. They are also tricky to address because the assumptions behind them are complex and hidden. It would be better to shift attention from straitened definitions of Catholic art toward something more generous to the arts themselves and more useful to Catholics in the public square. But where to start with questions that lead

J. Gordon Anderson - Contemporary Art

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